![]() But the fateful acquaintance of Perdita and Romeo could lead to dire consequences. One evening she meets a certain Romeo Dolorosa (Javier Bardem), who, in terms of his sanity, can hardly be considered adequate people, besides, the investigating authorities have been watching him for a long time. It seems like nothing like that, you can come up, it looks somehow easily accessible, but then it would be nice to leave all the personal belongings intact, or even save your life. Her criminal tendencies coexist with insanity. Perdita Durango is a lively and dangerous lady who is not easy to deal with. So now we will meet this daring girl (from the annotation to the film you can read that her name is translated as 'Daring'). But it became clear that Barry Gifford had laid out thoughts about his secondary heroine from another movie on the script pages. It's like the director, screenwriter and actor Kevin Smith's characters are intertwined in different films, but have a purely indirect relationship to each other (the only exception is the 'Clerks' dilogy, which may soon turn into a trilogy). The American-Spanish-Mexican film Perdita Durango is not a direct sequel to Wild at Heart. But this is not enough to talk about 'Perdite Durango' as a sequel to 'Wild at Heart', and only then I saw that the heroine with this name was in the Lynch tape performed by Isabella Rossellini. ![]() At first I noticed that Barry Gifford was directly involved in creating the script. I was trying to find out what kind of relationship exists between the Cannes Film Festival winner, Wild at Heart, by cult director David Lynch, with this film, whose title can make us smile audibly, Perdita Durango.
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